Your carbon makes a star and after all that’s all we are
Чем дальше, тем прекраснее :lol:

'в предыдущих сериях

...and the bass line that had been written by Damon which, whether knowingly or not, contained a leap of an augmented fifth, known as the 'devil's interval' and actually banned by the Christian church in the middle ages for it's demonic sound. ['Parklife']

Musically exceptional, 'To The End' is also notable as one of Damon Albarn's finest vocal performances to date (Alex is said to have cried when he heard the finished mix).

'It's a bit of a non-song in some ways. Or at least that's the impression you get from 'Parklife' version, which is mildly spacey nonsense, but Alex wrote another version that was really quite rocking. They'd done a version at Maison Rouge and it was great. I'm not even sure if Damon was on that. It was a really good song. Uptempo but heavy and nothing like the 'Far Out ' on the album. But I don't think Damon was too happy then about Alex getting credit for a song that didn't have that much to do with him and he applied a lot of pressure to not have it on the album. Certainly I was saying very strongly to Alex that this should be on and Alex didn't want to stand up for himself.' [Andy Ross]

'I always tried to make each one feel special. When Graham began he wouldn't even play the guitar in front of me in the control room. He'd sit in the corridor. Alex usually wouldn't have arrived at a bass line when we arrived so we would sit there, he and I, and try things out. I'd try and give each one my undivided attention when they needed it. It was a good working partnership and a good friendship and we'd go out for drinks afterwards. Though I'd got on well with The Smiths I'd never socialised with them. I felt much closer to Blur.' [Stephen Street]

@темы: all that you can do is watch them play